I’ve been talking to guitarist Marc Ribot lately about the ways in which cultural policy, or lack thereof, challenges the creative music community of which he is a shining light—about musicians and venues being essentially priced out of downtown Manhattan neighborhoods they helped put on the map through cultural achievements. (If you want some background on those issues, try this Youtube clip of a City Hall demonstrationfrom 2007.)
I’ve also been listeningto Ribot’s CD, “Live at the Village Vanguard” (Pi), which should make many Top 10 lists, and through its inclusion of bassist Henry Grimes and its allusions to the legacy of Albert Ayler, speaks of the legacy Ribot taps.
But Ribot’s music and his activism is wide-ranging in its considerations and its reach. As president of the Content Creators Coalition (c3), he is conducting a study of the economic impact of Spotify and other streaming services on their artist members.
Which led to the following post by Ribot’s to The New York Times online opinion pages, titled: “If Streaming Represents the Future of Music, Then My Own Future is Looking Grim.” Continue reading “Guitarist Marc Ribot: The Future, As Streamed, Look Grim”