In the midst of Havana’s Jazz Plaza festival in December, I took a break with Yosvany Terry, who has lived in New York City since 1999 and whose music helps define a cutting edge there. He grew up in the Camagüey province, where his father, Eladio “Don Pancho” Terry, was a violinist with Maravilla de Florida’s Charanga Orchestra and a master of the chekeré, the beaded gourd used for percussion. Yosvany and I drove to Havana’s Mariano neighborhood, a quiet, almost rural area where his father and mother now live. There, Don Pancho sang old boleros while Yosvany played piano. Don Pancho demonstrated the “ritmo guiro,” an innovation of his that lent a more folkloric flavor to the charanga sound by the highlighting the raspy sound of the guiro, a serrated gourd that is scraped with a stick. “All of this music,” Yosvany said, “has influenced my music.”
And much more, not to mention Terry’s work with saxophonist Steve Coleman.
Bohemian Trio, Terry’s latest endeavor, is a collective with pianist Orlando Alonso and cellist Yves Dharamraj, in which Terry plays soprano and alto saxophone and chekeré.
Here’s my Wall Street Journal review of the group’s genre-defying debut CD, “Okónkolo.” Continue reading “Bohemian Trio Leaps Across Borders”