{"id":5608,"date":"2016-01-14T20:25:43","date_gmt":"2016-01-14T20:25:43","guid":{"rendered":"http:\/\/blogs.artinfo.com\/blunotes\/?p=5608"},"modified":"2016-01-14T20:25:43","modified_gmt":"2016-01-14T20:25:43","slug":"now-playing-19","status":"publish","type":"post","link":"http:\/\/larryblumenfeld.com\/index.php\/2016\/01\/14\/now-playing-19\/","title":{"rendered":"Now Playing (New & Forthcoming Releases)"},"content":{"rendered":"

\"recordplayer.artinfo.3-13\"<\/a>Charles Lloyd & The Marvels<\/strong> I Long To See You<\/em> (Blue Note, Jan. 15):
\nCharles Lloyd\u2019s late-in-life burst of exploratory energy continues with this new band. Bassist Reuben Rogers (here, playing mostly electric bass) and drummer Eric Harland are drawn from Lloyd\u2019s \u201cnew quartet,\u201d which is no longer so new but still stunning (and features pianist Jason Moran). The Marvels was born of a 2013 musical encounter at UCLA\u2019s Royce Hall between the saxophonist and flutist Lloyd and guitarist Bill Foristell. Frisell recruited pedal-steel master Greg Leisz. The material ranges from some favorites from Lloyd\u2019s catalog\u2014 \u201cOf Course, Of Course,\u201d the title track of his 1965 Columbia album and \u201cLa Llorona,\u201d from 2009\u2019s Mirror<\/em>, among others\u2014and a wide range of other material\u2014Bob Dylan\u2019s \u201cMasters of War,\u201d for instance, and the hymn \u201cAbide With Me.\u201d There are vocals on two tracks, by Willie Nelson and Norah Jones.
\nAru\u00e1n Ortiz<\/strong> Trio Featuring Eric Revis & Gerald Cleaver<\/strong> Hidden Voice<\/em> (Intakt Records, Feb. 2): Pianist Ortiz leads trio that includes one of New York\u2019s most fascinating drummers, Gerald Cleaver. Ortiz is among a generation of Cuban-born musicians making influential waves on the New York scene. His new CD ends with a classic Cuban tune. Yet otherwise, Ortiz plays experimental jazz that owes to no nation in particular; his clearest lodestar is revealed on the CD\u2019s two Ornette Coleman compositions. Though Ortiz\u2019s work to date has been excellent, this recording represents a major leap in context and substance, and I suspect it will end up on best-of lists at the end of this year.
\nTwo new CDs focus on the drum in very different ways:
\nHerlin Riley<\/strong> New Direction<\/em> (Mack Avenue, Feb. 12): Drummer Riley is best known for his work with Wynton Marsalis and, more recently, Ahmad Jamal. Yet he\u2019s much more than an ace sideman. Here\u2019s my strategy whenever I\u2019m in New Orleans: Find out where and when Riley is playing; be there. He is quite simply the best drummer in New Orleans, a city known for its lineage of great trapsmen and rhythm masters. Riley can play the whole drum kit in polyrhythmic splendor or he can establish his authority with just, say, a single detail on cowbell or snare drum. On this, his first album as a leader in a decade, he flashes several takes on<\/strong> the distinct New Orleans \u201cpocket\u201d through various jazz styles.
\nDan Weiss <\/strong>Sixteen: Drummers Suite<\/em> (Pi, Feb. 26)<\/em>: Drummer\/composer Dan Weiss used a fascinating concept as the basis for this CD:<\/em> He built a suite of pieces, each based on a specific set of beats within classic recordings of his favorite jazz drummers (Elvin Jones, Max Roach, and others): His liner notes include footnotes to brief rhythmic passages, some just seconds long (timings noted). Weiss, who plays drums, tabla and contributes \u201cvocal percussion\u201d on some tracks, calls the music an \u201camalgam of jazz, Indian Music, prog rock, contemporary classical music and other completely idiosyncratic influences\u201d which is a longwinded way of saying that you\u2019ll hear unexpected blends of timbres and textures in music that adheres to nobody\u2019s formula. It helps that Weiss here gathers more than a dozen notable and notably creative players, including singer Jen Shyu, pianist Matt Mitchell and guitarist Miles Okazaki.<\/p>\n","protected":false},"excerpt":{"rendered":"

Charles Lloyd & The Marvels I Long To See You (Blue Note, Jan. 15): Charles Lloyd\u2019s late-in-life burst of exploratory energy continues with this new band. Bassist Reuben Rogers (here, playing mostly electric bass) and drummer Eric Harland are drawn from Lloyd\u2019s \u201cnew quartet,\u201d which is no longer so new but still stunning (and features … <\/p>\n

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