{"id":4416,"date":"2014-09-23T17:13:50","date_gmt":"2014-09-23T17:13:50","guid":{"rendered":"http:\/\/blogs.artinfo.com\/blunotes\/?p=4416"},"modified":"2014-09-23T17:13:50","modified_gmt":"2014-09-23T17:13:50","slug":"arrows-into-infinity-tracing-saxophonist-charles-lloyds-flight-paths","status":"publish","type":"post","link":"http:\/\/larryblumenfeld.com\/index.php\/2014\/09\/23\/arrows-into-infinity-tracing-saxophonist-charles-lloyds-flight-paths\/","title":{"rendered":"Arrows Into Infinity: Tracing Saxophonist Charles Lloyd&#039;s Flight Paths"},"content":{"rendered":"<figure id=\"attachment_4422\" aria-describedby=\"caption-attachment-4422\" style=\"width: 640px\" class=\"wp-caption aligncenter\"><a rel=\"attachment wp-att-4422\" href=\"http:\/\/blogs.artinfo.com\/blunotes\/2014\/09\/arrows-into-infinity-tracing-saxophonist-charles-lloyds-flight-paths\/lloyd-moran-dorothy-darr-640x413\/\"><img decoding=\"async\" loading=\"lazy\" class=\"size-full wp-image-4422\" title=\"Lloyd-Moran.Dorothy-Darr-640x413\" src=\"http:\/\/blogs.artinfo.com\/blunotes\/files\/2014\/09\/Lloyd-Moran.Dorothy-Darr-640x413.jpg\" alt=\"\" width=\"640\" height=\"413\" \/><\/a><figcaption id=\"caption-attachment-4422\" class=\"wp-caption-text\">Lloyd celebrating his 75th birthday in concert at the Metropolitan Museum of Art last year, with pianist Jason Moran\/photo Dorothy Darr.<\/figcaption><\/figure>\n<p style=\"text-align: left\">I&#8217;ve long been fascinated with the music of saxophonist Charles Lloyd for its soaring beauty and unwavering focus and with Lloyd, the man, for his singular story. &#8220;<a href=\"http:\/\/www.amazon.com\/Arrows-Infinity-Blu-ray-Charles-Lloyd\/dp\/B00JQHOH0W\">Arrows Into Infinity<\/a>,&#8221; a documentary about Lloyd directed and produced by his wife, Dorothy Darr, and Jeffery Morse, and recently released in DVD and Blu-ray formats by Mr. Lloyd&#8217;s longtime music label, ECM, open a window wide on these subjects, distilling inherent mysteries and complicated truths without diluting them.<\/p>\n<p style=\"text-align: left\">Darr told me in an interview for <a href=\"http:\/\/online.wsj.com\/articles\/arrows-into-infinity-1411419860\">my piece in today&#8217;s Wall Street Journal <\/a>that she aimed to provide &#8220;a fuller picture of who Charles is as a human being and an artist, navigating his life and upholding his ideals.&#8221;\u00a0This is no straight chronology. &#8220;It reflects Charles&#8217;s speaking style, which is not really linear,&#8221; Ms. Darr said.<!--more--><\/p>\n<p>The film&#8217;s narrative is fluid and poetic, pausing just long enough for interviewees to express Mr. Lloyd&#8217;s wide-ranging impact through the years.\u00a0There is also the sort of rare and satisfying performance footage jazz fans crave, most notably of Mr. Lloyd&#8217;s quartet (including pianist Keith Jarrett, drummer Jack DeJohnette and bassist Cecil McBee) at the 1966 Antibes Jazz Festival.<br \/>\nThe film peeks into Mr. Lloyd&#8217;s private moments.<br \/>\nPerhaps best of all, it homes in on relationships, which have always formed jazz&#8217;s spine: with Higgins, which began when Mr. Lloyd was in college; with trumpeter Booker Little, Mr. Lloyd&#8217;s high-school best friend and mentor, who died tragically in 1961 at 23; and with musicians roughly half his age in a current quartet as compelling as his 1960s band.\u00a0And with Darr, whose artwork on CD packaging has long framed Mr. Lloyd&#8217;s music, and who was his partner along the road back from seclusion in the 1970s and &#8217;80s.<br \/>\nIt also delves into Lloyd&#8217;s important and early bond with guitarist G\u00e1bor Sz\u00e1bo, which is showcased in brilliant fashion on the two previously unreleased recordings now available on &#8220;<a href=\"http:\/\/www.resonancerecords.org\/release.php?cat=HCD-2016\">Manhattan Stories<\/a>&#8221; (Resonance Records). Here is Lloyd, recorded in 1965 performances at now-defunct New York City venues Judson Hall\u00a0and\u00a0Slugs&#8217;,\u00a0fresh from a stint in drummer Chico Hamilton&#8217;s band, soon to form his ground-breaking band with Keith Jarrett, Cecil McBee and Jack DeJohnette, and leading a quartet that included Szab\u00f3, bassist\u00a0Ron Carter and drummer\u00a0Pete La Roca.<br \/>\nYou can sense the intuitive bond between Lloyd and Sz\u00e1bo, the way they challenge and support each other, the way they push the music&#8217;s form.<br \/>\n&#8220;It was a specific time and place,&#8221; Lloyd told critic Don Heckman, whose notes accompany the music, and who organized the Judson Hall date within an avant-garde festival. &#8220;We all felt like the boundaries were being dissolved and we could do or try anything. This is a music of freedom and wonder \u2014 we were young and on the move.&#8221;<br \/>\nFunny: Lloyd is now 76, and recently named a National Endowment for the Arts Jazz Master. Alongside musicians decades his junior in his wonderful current quartet, he exudes the same feeling.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>I&#8217;ve long been fascinated with the music of saxophonist Charles Lloyd for its soaring beauty and unwavering focus and with Lloyd, the man, for his singular story. &#8220;Arrows Into Infinity,&#8221; a documentary about Lloyd directed and produced by his wife, Dorothy Darr, and Jeffery Morse, and recently released in DVD and Blu-ray formats by Mr. &hellip; <\/p>\n<p class=\"link-more\"><a href=\"http:\/\/larryblumenfeld.com\/index.php\/2014\/09\/23\/arrows-into-infinity-tracing-saxophonist-charles-lloyds-flight-paths\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;Arrows Into Infinity: Tracing Saxophonist Charles Lloyd&#039;s Flight Paths&#8221;<\/span><\/a><\/p>\n","protected":false},"author":2,"featured_media":4422,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[1],"tags":[199,25,11,200,12,14,201],"_links":{"self":[{"href":"http:\/\/larryblumenfeld.com\/index.php\/wp-json\/wp\/v2\/posts\/4416"}],"collection":[{"href":"http:\/\/larryblumenfeld.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/larryblumenfeld.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/larryblumenfeld.com\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"http:\/\/larryblumenfeld.com\/index.php\/wp-json\/wp\/v2\/comments?post=4416"}],"version-history":[{"count":0,"href":"http:\/\/larryblumenfeld.com\/index.php\/wp-json\/wp\/v2\/posts\/4416\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/larryblumenfeld.com\/index.php\/wp-json\/"}],"wp:attachment":[{"href":"http:\/\/larryblumenfeld.com\/index.php\/wp-json\/wp\/v2\/media?parent=4416"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/larryblumenfeld.com\/index.php\/wp-json\/wp\/v2\/categories?post=4416"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/larryblumenfeld.com\/index.php\/wp-json\/wp\/v2\/tags?post=4416"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}