{"id":3273,"date":"2014-01-29T18:34:12","date_gmt":"2014-01-29T18:34:12","guid":{"rendered":"http:\/\/blogs.artinfo.com\/blunotes\/?p=3273"},"modified":"2014-01-29T18:34:12","modified_gmt":"2014-01-29T18:34:12","slug":"new-chutes-bloom-in-pianist-fabian-almazans-career","status":"publish","type":"post","link":"http:\/\/larryblumenfeld.com\/index.php\/2014\/01\/29\/new-chutes-bloom-in-pianist-fabian-almazans-career\/","title":{"rendered":"New Shoots Bring Fresh Blooms in Pianist Fabian Almazan&#039;s Career"},"content":{"rendered":"<p><object width=\"560\" height=\"315\"><param name=\"allowFullScreen\" value=\"true\" \/><param name=\"src\" value=\"\/\/www.youtube.com\/v\/Xym0OOv2Fdg?version=3&amp;hl=en_US&amp;rel=0\" \/><embed type=\"application\/x-shockwave-flash\" width=\"560\" height=\"315\" src=\"\/\/www.youtube.com\/v\/Xym0OOv2Fdg?version=3&amp;hl=en_US&amp;rel=0\"><\/embed><\/object><br \/>\nThe above video gives a compelling taste of the music on and story behind a terrific CD coming from pianist <strong>Fabian Almazan\u2014<\/strong>\u201c<a href=\"http:\/\/www.artistshare.com\/v4\/projects\/experience\/335\/451\/1\/6\">Rhizome<\/a>,\u201d due March 18, through <strong>Blue Note\/ArtistShare<\/strong>.<br \/>\nAs I wrote about Almazan in a 2012 <a href=\"http:\/\/online.wsj.com\/news\/articles\/SB10001424052970204792404577227132032219276\">Wall Street Journal profile<\/a>,\u00a0\u201cMuch like the best of his contemporaries, Almazan revels in the space between musical styles, and between form and improvisation.\u201d I called his previous CD, \u201cPersonalities,\u201d \u201ca bracing blend of lyrical Modernism, modern-jazz improvisation and postmodern sonic disruption.\u201d<br \/>\nThis new one sound like it furthers and refines that quest. Here, Almazan augments his fine working trio (bassist <strong>Linda Oh<\/strong> and drummer <strong>Henry Cole<\/strong>) with a string quartet (violinists <strong>Sara Caswell<\/strong> and <strong>Tomoko Omura<\/strong>, violist <strong>Karen Waltuch<\/strong>, and cellist <strong>Noah Hoffeld)<\/strong>. He\u2019d used that blend before, but never in such fully integrated and fleshed-out fashion. And this CD features vocals from Chilean singer\/guitarist <strong>Camila Meza<\/strong>, whose presence and musicality is stirring.<br \/>\nThe music sound like it has a story\u2014a point of view\u2014and it does.<!--more--> Almazan explained the title in his video: \u201cA rhizome is the subterranean part of plant, able to survive year after year regardless of the conditions above ground. And you\u2019ll see new shoots come out\u2026 I find that similar to what we go through in life. We endure obstacles and we\u2019re able to come back.\u201d<br \/>\nAlmazan conceived the album\u2019s regenerative theme, he said, during the days following the 2012 Sandy Hook Elementary School massacre in Newtown, Connecticut. The title track is a response to the shooting and other contemporary manifestations of irrational violence and global strife. \u201cI came to embrace the idea that humanity is somehow all connected; we\u2019re all nourished from the same rhizome.\u201d<br \/>\nAlmazan\u2019s artistry is one of many nourishing shoots on modern music\u2019s landscape.<br \/>\nI\u2019d first encountered him in trumpeter <strong>Terence Blanchard<\/strong>\u2019s quintet (he\u2019s still in that group). Even in that context, and back when Almazan was still a teenager (he\u2019s 29 now), I was struck by the fearlessness and originality of his playing, and the deep well from which he draws.<br \/>\nBlanchard once recalled for me a Hollywood Bowl concert soon after Almazan joined his band: Almazan&#8217;s introduction to an opening tune brought audience members to their feet before Blanchard played a single note. &#8220;Fabian pushes the envelope in ways that excite people,&#8221; he said.<br \/>\nAlmazan was born and raised in Havana, Cuba. He was nine when his family left Cuba, first for Mexico and then, six months later, for Miami.\u00a0Once relocated to Miami, Almazan studied with Cuban pianist <strong>Conchita Betancourt<\/strong>, who he said taught him &#8220;above all else, music needs to be honest.&#8221; In high school at Miami&#8217;s <strong>New World School of the Arts<\/strong>, he grew fascinated with jazz. After attending the <strong>Brubeck Institute<\/strong>, an undergraduate program in California, he enrolled at the <strong>Manhattan School of Music<\/strong>, where he studied with standard-bearing jazz pianists of two different generations, <strong>Kenny Barron <\/strong>and <strong>Jason Moran<\/strong>.<br \/>\nAs I mentioned in last week\u2019s Wall Street Journal \u201c<a href=\"http:\/\/online.wsj.com\/news\/articles\/SB10001424052702303802904579334744159785218\">Cultural Conversation<\/a>\u201d piece with Blue Note Records president <strong>Don Was<\/strong>,\u00a0Almazan\u2019s forthcoming album represents a new collaboration between the storied Blue Note label and the fan-funded <strong><a href=\"http:\/\/www.artistshare.com\/v4\/projects\/experience\/335\/451\/1\/6\">ArtistShare<\/a><\/strong> platform (which is home to, among others, Maria Schneider\u2019s Grammy-winning work).<br \/>\nI\u2019m honestly not quite sure what that means in business terms. But if it helps bring artists like Almazan to wider audiences, more power to it.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>The above video gives a compelling taste of the music on and story behind a terrific CD coming from pianist Fabian Almazan\u2014\u201cRhizome,\u201d due March 18, through Blue Note\/ArtistShare. As I wrote about Almazan in a 2012 Wall Street Journal profile,\u00a0\u201cMuch like the best of his contemporaries, Almazan revels in the space between musical styles, and &hellip; <\/p>\n<p class=\"link-more\"><a href=\"http:\/\/larryblumenfeld.com\/index.php\/2014\/01\/29\/new-chutes-bloom-in-pianist-fabian-almazans-career\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;New Shoots Bring Fresh Blooms in Pianist Fabian Almazan&#039;s Career&#8221;<\/span><\/a><\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[1],"tags":[65,11,66,12,14,67],"_links":{"self":[{"href":"http:\/\/larryblumenfeld.com\/index.php\/wp-json\/wp\/v2\/posts\/3273"}],"collection":[{"href":"http:\/\/larryblumenfeld.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/larryblumenfeld.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/larryblumenfeld.com\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"http:\/\/larryblumenfeld.com\/index.php\/wp-json\/wp\/v2\/comments?post=3273"}],"version-history":[{"count":0,"href":"http:\/\/larryblumenfeld.com\/index.php\/wp-json\/wp\/v2\/posts\/3273\/revisions"}],"wp:attachment":[{"href":"http:\/\/larryblumenfeld.com\/index.php\/wp-json\/wp\/v2\/media?parent=3273"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/larryblumenfeld.com\/index.php\/wp-json\/wp\/v2\/categories?post=3273"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/larryblumenfeld.com\/index.php\/wp-json\/wp\/v2\/tags?post=3273"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}