REPORTING\/ FEATURE STORIES:<\/p>\n
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New Orleans Jazz Culture Saved the City: Now Can It Save Itself? Katrina at 10<\/a> (Salon, 2015)<\/p>\n Band on the Run in New Orleans (Why the Police Shut Musicians Down<\/a>) (Salon, 2007: selected for \u201cBest Music Writing, 2008\u201d<\/em>)<\/p>\n Arturo O\u2019Farrill Brings His Father\u2019s Music Back to Cuba, Embargo Be Damned (Village Voice, cover story, 2011)<\/a><\/p>\n Can a Trumpet Silence a Gun?<\/a>\u00a0(Daily Beast, 2019)<\/p>\n Female Musicians Organize for Equity and Against Harassment<\/a>\u00a0(Daily Beast, 2018)<\/p>\n U.S. and Cuban Musicians Unite Amid Loosened Restrictions<\/a>\u00a0(Daily Beast, 2018)<\/p>\n Jazz at Lincoln Center in Cuba<\/a>\u00a0(Wall Street Journal, 2010)<\/p>\n Weapons of Mass Sedition: The Fes Festival of Sacred Music<\/a>\u00a0(Village Voice, 2004)<\/p>\n Barack Obama in New Orleans<\/a>\u00a0(Salon, 2007)<\/p>\n William Parker, Free-Jazz Father<\/a> (New York Times, 2002)<\/p>\n David Simon\u2019s HBO \u201cTreme\u201d<\/a>\u00a0(Village Voice, cover story, 2010)<\/p>\n Musicians Storm City Hall<\/a> (Truthdig, 2010)<\/p>\n A Greater Power: The Association for the Advancement of Creative Musicians<\/a> (Chamber Music Magazine, 2019)<\/p>\n When Kermit Ruffins Met Louis Armstrong<\/a> (New Orleans Times-Picayune, 2009)<\/p>\n <\/p>\n ESSAYS\/ OP-ED. PIECES:<\/p>\n Looking for Jazz Uplift Under Lockdown<\/a>\u00a0(Zocalo Public Square, Aug. 3, 2020)<\/p>\n New Orleans Needs New Cultural Policy<\/a>\u00a0(Wall Street Journal, 2015)<\/p>\n America\u2019s New Jazz Museum: No Poor Black People Allowed<\/a>\u00a0(Salon, 2005)<\/p>\n Driving While Jewish<\/a> (Daily Beast, 2020)<\/p>\n Narrowing the 90 Miles: U.S-Cuba Policy (Wall Street Journal, 2015)<\/a><\/p>\n John Coltrane\u2019s House<\/a> (New York Times, 2007)<\/p>\n <\/p>\n INTERVIEWS:<\/p>\n Kareem Abdul-Jabbar<\/a> (Wall Street Journal, 2006)<\/p>\n Jon Batiste on Retuning \u201cBattle Hymn of the Republic<\/a>\u201d (Daily Beast, 2017)<\/p>\n David Simon on \u201cTreme\u201d<\/a> (Wall Street Journal, 2010)<\/p>\n Senegalese Singer Youssou N\u2019Dour Protests the Iraq War<\/a>\u00a0(Salon, 2005)<\/p>\n Marc Ribot\u2019s Anti-Trump Army<\/a>\u00a0(Daily Beast, 2018)<\/p>\n Jazz in the Age of Trump: Roundtable (Jazziz Magazine, cover story, 2018)<\/a><\/p>\n Sonny Rollins on 9\/11 and Music\u2019s Purpose<\/a>\u00a0(Village Voice, 2010)<\/p>\n <\/p>\n REVIEWS:<\/p>\n Why Ken Burns\u2019 \u201cJazz\u201d Misses the Point<\/a>\u00a0(Village Voice, 2001)<\/p>\n Jason Moran\u2019s Different Seat<\/a> (Wall Street Journal, 2016)<\/p>\n A Thelonious Monk Gem, Unearthed<\/a> (Wall Street Journal, 2020)<\/p>\n Buena Vista Social Club, Revisited<\/a> (Wall Street Journal, 2008)<\/p>\n Charles Lloyd\u2019s \u201cArrows in Infinity\u201d<\/a> (Wall Street Journal, 2014)<\/p>\n Radical Thinkers: Henry Threadgill and Steve Coleman<\/a> (Wall Street Journal, 2015)<\/p>\n Ornette Coleman\u2019s Liberating Act<\/a> (Wall Street Journal, 2020)<\/p>\n Jason Berry\u2019s \u201cCity of a Million Dreams: A History of New Orleans at Year 300<\/a>\u201d (Wall Street Journal, 2018)<\/p>\n Ted Gioia\u2019s \u201cMusic: A Subversive History<\/a>\u201d (Wall Street Journal, 2019)<\/p>\n <\/p>\n VIDEOS:<\/p>\n Ten Years After: The State of New Orleans Music and Culture<\/a>\u00a0(Aug. 24, 2015)<\/p>\n Immigrant Music & Sounds of Identity: Jazz and Social Justice<\/a>\u00a0(National Jazz Museum in Harlem, 2017)<\/p>\n Swing States: Getting Out the Vote<\/a>\u00a0(National Jazz Museum in Harlem, 2020)<\/p>\n <\/p>\n SCHOLARLY ESSAYS:<\/p>\n \u201cSince the Flood: Scenes from the Fight for Jazz Culture in New Orleans\u201d Pop When the World Falls Apart<\/em><\/a> (Duke University Press, 2012)\u00a0 [please add PDF for link]<\/p>\n